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Peter is a Dublin lawyer in his thirties - successful, competent and apparently unassailable. But in the wake of their father's death, he's medicating himself to sleep and struggling to manage his relationships with two very different women - his enduring first love Sylvia, and Naomi, a college student for whom life is one long.
Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined.
For two grieving brothers and the people they love, this is a new interlude - a period of desire, despair and possibility - a chance to find out how much one life might hold inside itself without breaking.
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Die grosse Stärke von "Intermezzo" liegt darin, wie Rooney männliche Gefühls(un)fähigkeiten nachzeichnet.
Rooney schreibt wortgewaltig und intelligent. Kaum jemand schreibt besser über die Liebesbeziehungen in der heutigen Generation.
Rooney has been called the voice of her generation (and she probably is), but her talents are greater than that. Her genius for capturing people with all their self-conceits and occasional virtues puts her in a fine tradition of sharp social observation stretching back to Jane Austen. ― The Times“
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**WINNER OF THE BOOKER PRIZE**
**THE #1 SUNDAY TIMES BESTSELLER**
'A slim, profound study of intimate human fears set against epic vistas' GUARDIAN
'Stunning... An uplifting book' SUNDAY TIMES
Life on our planet as you've never seen it before
A team of astronauts in the International Space Station collect meteorological data, conduct scientific experiments and test the limits of the human body. But mostly they observe. Together they watch their silent blue planet, circling it sixteen times, spinning past continents and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swells of oceans. Endless shows of spectacular beauty witnessed in a single day.
Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home. They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction.
The fragility of human life fills their conversations, their fears, their dreams. So far from earth, they have never felt more part - or protective - of it. They begin to ask, what is life without earth? What is earth without humanity?
'Our unanimity about Orbital recognises its beauty and ambition. It reflects Harvey's extraordinary intensity of attention to the precious and precarious world we share' Edmund de Waal, Chair of the 2024 Booker Prize judges
*A BOOK OF THE YEAR FOR THE GUARDIAN, SUNDAY TIMES, FINANCIAL TIMES, NEW STATESMAN, SPECTATOR, DAILY MAIL AND MAIL ON SUNDAY*
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'A richly told tale of tangled loyalties. French ratchets up the tension in increments . . . By the end, these characters have taken on such solidity that, long after finishing it, I often catch myself wondering how they're doing - a testament to the author's mastery of her craft' GUARDIAN
Return to the dark underbelly of Ardnakelty in the thrilling new sequel to The Searcher.
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It's a blazing summer when two men arrive in the village. They're coming for gold. What they bring is trouble.
Two years have passed since retired Police Detective Cal Hooper moved from Chicago to the West of Ireland looking for peace. He's found it, more or less - in his relationship with local woman Lena, and the bond he's formed with half-wild teenager Trey. So when two men turn up with a money-making scheme to find gold in the townland, Cal gets ready to do whatever it takes to protect Trey. Because one of the men is no stranger: he's Trey's father.
But Trey doesn't want protecting. What she wants is revenge.
Crackling with tension and slow-burn suspense, The Hunter explores what we'll do for our loved ones, what we'll do for revenge, and what we sacrifice when the two collide, from the Sunday Times and New York Times bestseller Tana French.
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Nobody writes tension like Tana French:
'Terrific - terrifying, amazing' STEPHEN KING
'One of the greats of contemporary crime fiction' IAN RANKIN
'The most important crime novelist to emerge in the last ten years' WASHINGTON POST
'A truly great writer' GILLIAN FLYNN
'Crime fiction's biggest contemporary star' GUARDIAN
'Lyrical, suspenseful, unpredictable' HARLAN COBEN
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The Times top ten bestseller
'As tightly tuned as a thriller' Telegraph
'A marvel' Kiran Millwood Hargrave
'Compelling, vividly described magic' Observer
'Historical fiction as it should be written' Mail on Sunday
'Remarkable' New York Times
Anna Maria may have no name, no fortune, no family. But she has her ambition, and her talent.
Her best hope lies in her teacher, Antonio Vivaldi. Soon she is his star pupil.
But as Anna Maria's star rises, not everyone is happy. Because Anna Maria's shining light threatens to eclipse that of her mentor. The prodigy becomes the rival...
She will leave her mark, whatever it takes. Her story will be heard.
Shortlisted for the HWA Debut Crown Award
'A compassionate coming-of-age tale . Constable understands the power music has to sustain us' Observer
'Had me spellbound from start to finish' Emma Stonex
'Constable infuses historical fact with richly wrought fictional details, to investigate admiration and resentment, ego and legacy' i paper
'A whirlwind of all-consuming, dizzying ambition . Spectacularly imagined' Mail on Sunday
'Vibrates with colour and passion . I was completely swept up' Elodie Harper
'An immersive, impassioned tale full of colour and sound' Guardian
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BBC, Book“
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Wolf Hall meets Demon Copperhead in a sharply ambitious, brilliantly imagined and hugely entertaining story of intrigue, deceit, revenge and ambition
**NAMED AS BEST HISTORICAL FICTION BOOK OF THE YEAR BY THE SUNDAY TIMES**
**PICKED AS A BOOK OF THE YEAR 2025 BY THE GUARDIAN, SUNDAY TIMES, DAILY MAIL, AND THE I**
**SHORTLISTED FOR THE WINSTON GRAHAM HISTORICAL PRIZE**
**LONGLISTED FOR THE HWA GOLD CROWN 2026**
'Wickedly funny ... the filthy, clever, immersive picaresque you didn't know you needed' Guardian, The best fiction of 2025
'I read it with the dedicated fervour of a kid discovering literature for the first time' Yael van der Wouden
'Funny, moving, filthy and original' The Times
'So alive I felt Harkin might be a time traveller' Maggie Shipstead
'The most enjoyable historical novel I've read in years' Spectator
________________________________________
Kill the pretender. Do not let it be known that there was a pretender to kill.
The year is 1483 and England is in peril. The much-despised Richard III is not long for the throne, and the man who will become Henry VII stands poised to snatch the crown for himself. But for twelve-year-old John Collan, living in a remote village with his widowed father, these matters seem far away.
But history has other plans for John.
Stolen from his family, exiled - first to Oxford, then to Burgundy, and then Ireland - and apprenticed to a series of unscrupulous political operators, he finds himself groomed for power; not as John Collan, but as Edward Plantagenet, 17th Earl of Warwick - and rightful heir to the throne.
Far from home at the Irish court, preparing for a war that will see him become king or die trying, John has just his wits - and the slippery counsel of his host's daughter, the unconventional Joan - to navigate the choppy waters ahead.
Seething with revenge and machination, sparkling with wit and humanity, and roaring with adventure and bravado, The Pretender is the captivating true story of a young man tossed into the chaos of history as it happens.
**Praise for The Pretender**
'A brainy, heartfelt delight' Guardian, 50 hottest books to read now
'Witty, poignant, wildly engaging, and with a huge heart' Sarah Waters
'Touching and hilarious' The Times, 80 best books to take on holiday
'Like a Plantagenet Adrian Mole' Jenny Colgan
'A rollicking account of a befuddled boy's pillar-to-post existence as a political pawn' New York Times
'The real deal - nimble, vibrant, playful, and daring' Kiran Millwood Hargrave
'Ambitious, mischievous and brilliantly written' Daily Mail
'I blazed through full of wonder and admiration' Emma Stonex
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'A fresh, unexpected, and revealing portrait of Russia' ANNE APPLEBAUM, Pulitzer Prize-winning author of Gulagand Red Famine
'A century of Russian history told through the women who lived it, shaped it, and survived it'NADYA TOLOKONNIKOVA, founder of Pussy Riot
Award-winning journalist Julia Ioffe tells the story of modern Russia through the history of its women, from revolution to utopia to autocracy.
In 1990, seven-year-old Julia Ioffe and her family fled the Soviet Union. Nearly twenty years later, Ioffe returned to Moscow-only to discover just how much Russian society had changed while she had been living in America. The Soviet women she had known growing up-doctors, engineers, scientists-had seemingly been replaced with women desperate to marry rich and become stay-at-home moms. How had Russia gone from portraying itself as the vanguard of world feminism to the last bastion of conservative Christian values?
In Motherland, Ioffe turns modern Russian history on its head, telling it exclusively through the stories of its women. From her own physician great-grandmothers to Lenin's lover, a feminist revolutionary; from the hundreds of thousands of Soviet girls who fought in World War II to the millions of single mothers who rebuilt and repopulated a devastated country; from the members of Pussy Riot to Yulia Navalnaya, wife of opposition leader Alexei Navalny, she chronicles one of the most audacious social experiments in history and how it failed the very women it was meant to liberate-and documents how that failure paved the way to the revanche of Vladimir Putin.
Part memoir, part journalistic exploration, part history, Motherland paints a portrait of modern Russia through the women who shaped it. With deep emotion, Ioffe shows what it means to live through the cataclysms of revolution, war, idealism, and heartbreak-and reveals how the story of Russia today is inextricably tied to the history of its women.
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In Motherland, Ioffe turns modern Russian history on its head, telling it exclusively through the stories of its women. From her own physician great-grandmothers to Lenin’s lover, a feminist revolutionary; from the hundreds of thousands of Soviet girls who fought in World War II to the millions of single mothers who rebuilt and repopulated a devastated country; from the members of Pussy Riot to Yulia Navalnaya, wife of opposition leader Alexei Navalny, she chronicles one of the most audacious social experiments in history and how it failed the very women it was meant to liberate―and documents how that failure paved the way to the revanche of Vladimir Putin.
Part memoir, part journalistic exploration, part history, Motherland paints a portrait of modern Russia through the women who shaped it. With deep emotion, Ioffe shows what it means to live through the cataclysms of revolution, war, idealism, and heartbreak―and reveals how the story of Russia today is inextricably tied to the history of its women.
Cleverly conceived and brilliantly executed.
Guardian
Excellent…an extremely readable, personal and original account.
Spectator“
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Award-winning author Claire Kilroy’s “lyrical and incisive” (The New York Times Book Review) novel that reads with the pace of a thriller and is filled with astute and witty observations of life with a young child.
Soldier Sailor takes readers deep inside the early days of motherhood. Exploring the clash of fierce love with a seismic shift in identity, Claire Kilroy conjures the raw, tumultuous emotions of a new mother, as her marriage strains and she struggles with questions of equality, autonomy, and creativity.
Soldier Sailor is a tale of boundless love and relentless battle, a bedtime story to a son, Sailor, recounting their early years together. Spending her days in baby groups, playgrounds, and supermarkets, Soldier doesn’t know who she is anymore. She hardly sees her husband, who has taken to working late most nights. A chance encounter with a former colleague feels like a lifeline to the person she used to be but can hardly remember.
Tender and harrowing, Kilroy’s modern masterpiece “hums with poetry, insight, and humor...full of truths so sharp and beautiful readers will need to take a breath” (Booklist, starred review).“


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